MFA Writing

Postgraduate Writers' Conference

17th Annual

 

Postgraduate Writers’ Conference

 

August 13-19, 2012

 

 2012 CONFERENCE REGISTRATION IS NOW OPEN!

Click here to access our convenient online registration form.

For inquiries and questions before you register, contact Ellen Lesser, Conference Director, at pgconference@vcfa.edu or 802-828-8835 (voicemail).

 

VCFA is pleased to announce the 2012 Conference Faculty: 

CREATIVE NONFICTION

Robin Hemley

Sue William Silverman

NOVEL

Connie May Fowler

Lee Martin

SHORT STORY

Steve Almond

Ellen Lesser

POETRY

Matthew Dickman

 

 

POETRY MANUSCRIPT

Claudia Emerson

David Wojahn

Kevin Young

YOUNG ADULT

Cynthia Leitich Smith

Tim Wynne-Jones

 

   

 

View Faculty Bios

 

 

 

RAVE REVIEWS FROM OUR 2011 PARTICIPANTS:*

 

“Life-altering. It’s amazing how much can change in one short week."

 

“No stars, no newbies. We were all in it together.”

 

“Best week of my writing life thus far.”

 

*For full quotes, see below.

 

 

 

Conference registration IS NOW OPEN. 

For inquiries and advance reservations for workshop spaces, please contact Ellen Lesser, Conference Director, at pgconference@vcfa.edu.

 

 

 


 

 

What is the Postgraduate Writers’ Conference?

 

Seventeen years ago, Vermont College set out to create a new kind of summer immersion for experienced writers, with MFAs or equivalent preparation. Today, the annual Postgraduate Writers’ Conference thrives as a haven for serious, emerging practitioners seeking to connect and recharge, and lift their process and craft to new levels.

 

At the heart of the PWC’s unique model is our small workshop size, with groups led by our acclaimed faculty limited to five or six writers. The intimate format allows for an extraordinarily in-depth, far-reaching discussion of participants’ work. Beyond the daily group sessions, each member has an individual

consultation with the workshop instructor. The schedule also features a rich menu of readings by faculty and participants, craft talks, exercise classes and forums on issues facing the Postgraduate Writer.

 

Supportive, inclusive community is another hallmark of VCFA’s Postgrad Writers’ week. We’ve all heard the horror stories about competitive and rigidly stratified conference and program environments. That’s never been the Vermont College of Fine Arts ethos. Here on the historic VCFA campus, you’ll find faculty and participants—across genres and workshop groups—celebrating and inspiring one another as fellow writers. We all share meals, outings and special evening activities as part of the vibrant, collegial atmosphere. 

 

If this sounds like your kind of Conference, please read on to learn more, including how to apply and/or register.

 

What do our 2011 participants say?

 

It was my first writing event since my MFA and the best workshopping I've ever done. I found a writing community willing and able to help me reach the next level.

—Diane Marshall

 

Wow. So much to be grateful for. The atmosphere at the Conference was, once again, one of fellowship in the creation of written work. No stars, no newbies. We were all in it together. 

—Lisa Hartz

 I had a great experience. It was—honestly—the best workshop I've been in. We've all been writing—no  one was there to restart their writing after a layoff after grad school, but to sharpen our eyes, have some new company on the journey, and above all KEEP GOING. The overall conference seemed to share this sense of community. I appreciate that there was little to no trace of hierarchy between faculty and students. We were all writers—that seemed to me the primary spirit of the week. I left feeling as if I got what I wanted, which was an intense week of community, discussion, and learning.

—John Walker

 

This was my first time at VCFA, and it was an experience I’ll never forget. There was an immediate feeling of welcome, a safety in the community of writers. I made a slew of friends—peers and mentors. I know we’ll remain in contact and continue to encourage and support each other. That is invaluable. And my workshop was life-altering. It’s amazing how much can change in one short week of work.
—Dusty-Lynn Miller
 
The six-person workshop size was perfect. The spirit of the group was one of ownership rather than of competition. My one-on-one consultation was worth the cost of tuition on its own. In the brevity of one hour, we built upon the group feedback and worked out the structure of my entire novel-in-progress. I left that meeting high as a kite with possibility and gratitude.

—James Pounds

 

Best week of my writing life thus far, and I've had many good ones. VCFA encourages a status- and ego-free zone where faculty and workshop members are all seen as active lifelong practitioners of craft. Given how high the bar is set at Vermont College, this is as remarkable as it is refreshing. The Postgraduate Writers' Conference at VCFA is without peer.
—Ann Carson DeWitt
 
I came to give myself a motivator to put a manuscript of poems together, and see what working it with a good teacher and group would do. I got all that and so much more than I'd hoped for. 
—Larry Sorkin
 
The classes were provocative and opened up new ways of looking at and thinking about different aspects of writing. The readings were phenomenal, both student and faculty. And the workshop moved us in directions we didn't expect. As a group we grew a lot in a very short time. Lots of breakthroughs and discoveries. I feel very grateful for this experience, and for the newfound space I now have for re-envisioning and continuing with my novel.
—Karin Davidson
 
I had a wildly exciting group—multi-generational, multi-faceted, multi-experiential. And the atmosphere and sense of community at VCFA is simply mind-blowing! The sense of safety, too, for people to open themselves up and be comfortable in their vulnerability speaks volumes about the core values VCFA fosters.
—Ingrid Silverstein
 
I arrived at the Conference excited, but apprehensive. I left relaxed, positive, energized to tackle specific issues in my work. I also left feeling a part of something bigger—the VCFA writing community, a generous, smart, capable group of writers who I hope will be a continued presence in my creative life.
—Lauren Lee Norton

 

Click here for more quotes from previous Conference participants.

 

Who is a Postgraduate Writer?

The majority of our participants have MFAs. (This includes returning graduates of Vermont College of Fine Arts as well as alumni of other distinguished programs all over the country.) Others have PhDs, or MAs, or have done graduate study in other disciplines. We also welcome writers who haven’t gone the conventional grad-school route but have garnered their experience along other avenues. Our concern is not with the formal credential, but with ensuring an appropriate fit with our “postgrad” community. While we’re ready to applaud an applicant’s publishing credits, they’re not a prerequisite. For us it’s about the work, and a writer’s desire to take it to the next level.  

 

Who are the Conference faculty? 

Each year, PWC prides itself on assembling a luminous faculty. Our instructors are selected not only for the brilliance of their writing, but for their devotion to teaching excellence and support of our Conference philosophy.  

We are pleased to announce our distinguished roster for 2012:

Creative Nonfiction

     Robin Hemley

     Sue William Silverman

 

Novel

     Connie May Fowler

     Lee Martin

 

Short Story

     Steve Almond

     Ellen Lesser

 

Poetry

     Matthew Dickman

 

Poetry Manuscript

     Claudia Emerson

     David Wojahn

     Kevin Young

 

Writing for Young People

     Cynthia Leitich Smith

     Tim Wynne-Jones 

 

Click here for more about this award-winning faculty. 

 

How do the workshops operate?

Each PWC workshop is led by a single faculty member and limited to six—or, for Poetry Manuscript groups, five—participants. Workshop meets every morning, for a total of five daily sessions. Manuscripts are due in to the Conference office on July 1 and distributed a few weeks in advance of our starting date to facilitate thoughtful preparation for the group discussions. Submissions go up to 25 standard manuscript pages of prose and six pages of poetry; members of the Poetry Manuscript workshops submit drafts of book-length collections. 

 

Depending on the group and instructor, workshop sessions may include other activities beyond the critiques, such as in-class exercises and consideration of additional texts and pertinent, broader craft topics. Some groups take on “homework” during the Conference week, including revision work on their manuscripts, or generation of new material. 

      

How does a typical day at the Conference go? Will I have private writing time?

Most days after breakfast, we hold a guided writing exercise session, for participants who like to tap into that fresh a.m. flow. The rest of the morning is devoted to workshop group meetings.  After lunch, we have one or two craft talks or classes presented by Conference faculty. In the late afternoon we host our extremely well-attended and high-energy series of Participant Readings, organized according to workshop groups. After dinner, we have readings by faculty, followed by a reception or special social gathering. Post-reading evening highlights include a private party at The Black Door, a favorite Montpelier night spot, and an open-mike session with the terrific Vermont-based improvisational “Po-Jazz” ensemble. Mid-Conference, we take a night off from readings for a soiree and campfire at the nearby home of the Conference director.

 

We often get the question, “Will I have time to write?” For some participants, that’s a priority. Others prefer to soak up as much stimulation and interaction as possible during the Conference week. We don’t have large, unstructured blocks in our schedule. We opt instead to present a full calendar, and leave each writer to pick and choose which events to attend. If the appeal of the offerings makes skipping things difficult, we figure we’re doing our job as a Conference. 

 

That said, participants do succeed in carving out valuable private writing time, and also take advantage of the generative sessions between breakfast and workshop. An approach many have found beneficial is extending their stay, either on campus or in the area, before and/or after the Conference. This affords them more time for writing as well as absorbing all that they’ve learned at the Conference.  

 

What’s Montpelier like, and will that play a part in my Conference experience?

For writers making the pilgrimage to Vermont College of Fine Arts, Montpelier and the surrounding area are themselves a real draw. VCFA has its home in the nation’s smallest, and arguably most charming, state capitol. Montpelier is hardly a city, much more a small town, but one which packs in a lot of hip and sophisticated amenities amidst the architecture celebrated in countless travel articles as un-compromised, classic New England.

 

A short walk from VCFA’s peaceful, hilltop quadrangle brings you “downtown,” where the local-first business community includes four independent bookstores, an art cinema, a couple of coffeehouses, an impressive array of eating and drinking establishments, a cooperative craft gallery, a health club, a natural foods coop, a farmer’s market, yoga studios, and boutique shopping for various tastes and interests. 

 

One of the charms of Montpelier is that you need only head out about a mile in any direction to find yourself in the Vermont countryside—a scenic and recreational paradise. Within the city limits, perched above the Capitol, sits Hubbard Park, with its extensive network of wooded walking trails. The Conference schedule includes a group hike in the Park as an introduction, as well as an outing to a pristine nearby reservoir for swimming or kayaking. 

 

How much time you spend off-campus, discovering Montpelier and the Green Mountains, is up to you. When you arrive, your welcome packet will contain both a map and our “Insider’s Guide to Montpelier,” to tell you what’s here and help you find what you’re looking for. 

 

How do I get there?

Montpelier is an easy drive from Northeastern U.S. locations, at Exit 8 on I-89. Our home airport of Burlington, VT, with service by most major airlines, is a 35-minute drive from Montpelier. The Conference coordinates airport shuttle service to and from campus. Montpelier is also served by Amtrak and Greyhound bus lines. 

 

What about accommodations?

Most attendees opt for on-campus housing, for the convenience and camaraderie. These are simple, dormitory accommodations, with a choice of single or shared rooms, and shared baths except in special-needs situations (and according to availability). We also offer full meal service provided by the award-winning, resident staff and students of the New England Culinary Institute. 

 

For those who don’t care to stay in the dorm, Montpelier offers a range of hotels, inns, motels and guest houses (listing available). 

 

How much does it cost and when is my payment due?

Conference tuition for all workshops except Poetry Manuscript is $875. Poetry Manuscript tuition is $995. 

 

On-campus room and board fees for six nights (arrival 8/13, departure 8/19) are as follows: $330 and $180 for single and shared rooms respectively, and $175 for the meal plan. Participants not on the meal plan can purchase individual meals as they go. Dorm rooms can also be reserved for additional nights before or after the Conference, at the rate of $55 per night.

 

At the time of registration, a non-refundable deposit of $200 is required of all participants.  Balances are due June 15. For any spaces available after that date, full fee will be due upon registration. (See registration form for cancellation policy.) 

 

How do I apply and/or register?

 

If you have an MFA or PhD in creative writing, you may proceed directly to enroll in the Conference. 

Click here to register now and reserve your spot.

If you would like to attend the Conference based on your equivalent experience, please send a letter of interest detailing your writing and related background along with a five-page sample of your work (by Word file attachment) to Ellen Lesser, Conference Director (pgconference@vcfa.edu). Ellen will review your materials in consultation with the Conference faculty in your genre, and get back to you shortly. 

 

The registration process includes selecting your preferences for workshop genre and faculty. Admissions are handled on a rolling basis. Small workshops fill quickly, though, so please act early to avoid disappointment.

 

Is there scholarship funding available?

Yes, we have funding for partial scholarships, which we work to spread among many deserving applicants. 

If you require tuition support to make your participation possible, please email Ellen Lesser, Conference Director at pgconference@vcfa.edu, to request a scholarship and state your level of need. Please also attach a Word file with a brief (five-page) sample manuscript if you have not already submitted one as part of a Conference application. Scholarship petitions are considered on a rolling basis as long as funds are available. 

 

PWC is part of the Writers’ Centers & Conferences branch of AWP (The Association of Writers and Writing Programs), which sponsors a competitive scholarship program to support attendance at member conferences. For details, visit www.writersconf.org/scholarship.    

 

Who do I contact with additional questions?

For all questions relating to the Conference program, including applications, scholarship requests and inquiries about workshop openings, please contact Ellen Lesser, Conference Director, by email at pgconference@vcfa.edu or by voice message at 802-828-8835. 

 

 

 

 

 

 

 

 

 

 

 

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